2 KODAK PROFESSIONAL ELITE Chrome 200 Film • E-148E
MANUFACTURING UNIFORMITY
Similar to ELITE Chrome 100 and 400 Films, the 200 film
takes full advantage of Kodak’s new state-of-the-art
manufacturing facility in Rochester, New York. The result is
a film with excellent roll-to-roll consistency and accurate
200 speed.
STORAGE AND HANDLING
Load and unload film in subdued light.
Store unexposed film in a refrigerator at 55°F (13°C) or
lower in the original sealed package. To avoid moisture
condensation on film that has been refrigerated, allow the
film to warm up to room temperature before opening the
package. Process film as soon as possible after exposure.
Protect transparencies from strong light, and store them in
a cool, dry place. For more information, see KODAK
Publication No. E-30, Storage and Care of KODAK
Photographic Materials—Before and After Processing.
SIZES AVAILABLE
Sizes and catalog numbers may differ from country to
country. See your dealer who supplies Kodak products.
DARKROOM RECOMMENDATIONS
Do not use a safelight. Handle unprocessed film in total
darkness.
EXPOSURE
Exposure Index Numbers
Use the exposure index numbers below with cameras or light
meters marked for ISO or ASA speeds or exposure indexes.
Do not change the film-speed setting when metering through
a filter. Metering through filters may affect meter accuracy;
see your meter or camera manual for specific information.
For critical work, make a series of test exposures.
Rolls Code Base
135-24
ED 5-mil acetate135-24 (carded)
135-36
Light Source
KODAK WRATTEN
Gelatin Filter
Exposure
Index
Daylight or Electronic Flash None 200
Tungsten (3200 K) No. 80A 50
Daylight
Use the exposures in the table below for average frontlit
subjects from 2 hours after sunrise to 2 hours before sunset.
Electronic Flash
Use the appropriate guide number in the following table as a
starting point for your equipment. First select the unit output
closest to the number given by your flash manufacturer. Then
find the guide number for feet or metres. To determine the
lens opening, divide the guide number by the flash-to-subject
distance. If transparencies are consistently too thin
(overexposed), use a higher guide number; if they are too
dense (underexposed), use a lower number.
Lighting Conditions
Shutter Speed
(second)
Lens
Opening
Bright/Hazy Sun on Sand or Snow 1/250 ƒ/22
Bright/Hazy Sun, Distinct Shadows 1/250 ƒ/16
*
* Use ƒ/8 for backlit close-up subjects.
Weak, Hazy Sun, Soft Shadows 1/250 ƒ/11
Cloudy Bright, No Shadows 1/250 ƒ/8
Heavy Overcast or Open Shade
†
† Subjects shaded from sun but lit by large area of clear sky.
1/250 ƒ/5.6
Unit Output
(BCPS
*
)
* BCPS=beam candlepower seconds.
Guide Number
Distance in Feet Distance in Metres
350 60 18
500 70 21
700 85 26
1000 100 30
1400 120 36
2000 140 42
2800 170 50
4000 200 60
5600 240 70
8000 280 85
